John James Audubon (1785-1851) was born in San Domingo, Haiti,
the son of a French
naval captain and a
French servant girl.
Audubon's real mother
died shortly after his
birth. Capt. Audubon and
his legal wife sent
young Audubon to France
where he was raised.
In order to avoid
conscription by Napoleon
when Audubon was a young
man, J.J. Audubon was
dispatched to
Philadelphia,
Pennsylvania to oversee
land owned by his
father. There he met and
married Lucy Bakewell,
who’s lifelong support
was critical to
Audubon's success. In
their early years,
Audubon did not do well
in business. After many
years he finally
attained fame as an
artist and ornithologist
with the publication of
his first Birds of
America double
elephant folio edition
in London (1826-1838).
Audubon and his
wife traveled the U.S.,
as he studied and
painted wonderful life
sized images of hundreds
of birds. Audubon went
to Scotland and England
and published his first
work, The Birds of
America. These
prints were chiefly
engraved and hand
colored by Robert Havell
Jr. They were printed on
"double
elephant" folio
sized sheets of
watermarked J. Whatman
fine wove paper. From
1826-1838 these aquatint
copper plate engraved
sheets, measuring about
26" x 39", and
beautifully hand
colored, were issued in
87 parts of 5 prints
each. The complete set
totaled 435 prints. They
were sold by
subscription, and the
owners/subscribers
eventually bound them
into 7 volumes. It is
estimated that between
160-180 complete sets of
the first Birds of
America were issued.
Today about 110 complete
sets survive, mainly in
museums and other
institutions. An unknown
number of partially
bound sets and
individual prints
survive. They are quite
rare. The last complete
bound set sold at
auction for $8.8
million. Individual
prints sell for
thousands of dollars,
with a few fetching
$100,000.00 or more.
The success of
Audubon's first Birds
of America brought
Audubon Worldwide
acclaim. Following that
success, he returned to
America and set out to
issue a smaller version
that would include more
birds (most newly
discovered in the
Western U.S.). He
decided on a 1/8 or
octavo sized sheet
measuring about
6-1/2" x 10".
He called this set The
Royal Octavo Edition of Birds
of America. The 1st
Edition of 500 plates
was lithographed and
hand colored by J.T.
Bowen in Philadelphia
and New York from
1840-44. They were again
sold by subscription,
and issued in order by
species in 100 sets of 5
each. It is estimated
that from 1000-1200
complete sets were
issued. No one knows how
many complete sets and
individual prints
survive today. They are
very popular and highly
collectable. Today, a
complete set in good
condition would sell for
over $50,000.00 at
auction. Individual 1st
edition prints sell at
dealer's galleries from
$50-$100 each, on up to
$2,000.00+, depending
upon popularity.
The 1st Royal
Octavo Edition of Birds
of America was
completed under the
direct supervision of
J.J. Audubon. Up to
eight (8) editions, some
text only without
plates, were issued from
1856-1889. The most
important of these
editions were: the 2nd
(1856), the 3rd (1859),
the 5th (1861), and the
7th (1870 published by
Lockwood). An 1860
letterpress or text
edition was issued
without plates to
accompany the Bien
Edition.
A beige or
blue-green printed
colored background
generally identifies the
2nd and later editions
on each plate, except
those with landscapes
scenes. The type on the
credit lines at the
bottom of the later
edition prints is
generally bold face, as
opposed to the italics
on most of the 1st
edition prints. Today,
dealer price lists often
list prices for the 1st
octavo edition, and then
lump all the later
editions into one price
list category called
"later
editions", with no
distinction among them.
Dealers with a large
inventory of a
particular later edition
will often sell them as
later edition, but give
the year they were
published.
Following the
octavo Birds of
America, the
Audubons ( J.J. and his
two sons, John W. and
Victor G.) published and
issued an Imperial Folio
Edition of The
Viviparous Quadrupeds of
North America. From
1845-48, the Audubons
issued, by subscription,
150 hand colored stone
lithographed images of
mammals of North
America, with each sheet
measuring about 22” x
28”. Perhaps 300 sets
of these prints were
sold, and were generally
bound into two volumes.
Following the
success of the Imperial
Folio edition of
mammals, another octavo
sized publication, by
the Audubons, called the
Quadrupeds of North
America, and
consisting of 155
different mammal prints,
was first published from
1849-54, as the 1st
edition. The Audubons,
not thinking of modern
day classification,
identification, and
distinctions, starting
issuing a 2nd edition of
The Quadrupeds of
North America at the
same time they were
still issuing the 1st
edition. To add to the
confusion, the 1st and
2nd edition prints are
indistinguishable from
each other when examined
side by side.
As a result, the
1st edition
(1849-54) and the 2nd
edition (1852-55) were
generally issued to
subscribers without
regard for which edition
prints were being sent
to individual
subscribers. Therefore,
most early sets, which
were bound into three
volumes, were comprised
of mixed 1st
and 2nd
edition prints. There
was a 3rd edition in
1856, and a 4th in 1870.
It is estimated that
about 3500 complete sets
of all 155 plates were
issued from 1849-55. The
name of Audubon’s son,
John W., appears on
about half of the
plates. J.T. Bowen was
the main lithographer,
but Nagel and
Weingaertner of New York
were the lithographers
of 29 plates, among the
first 31 plates in true
1st edition
prints before J.T. Bowen
replaced them. Among the
artists who drew the
images on the
lithographic stones were
Trembly and Hitchcock,
whose credit lines
appear on very many
prints. Rarely, you will
find a credit line on a
print for the
colorist> The only
one I have regularly
seen is for Lawrence.
J.J. Audubon died
in 1851, before the
complete 1st Edition of
the octavo Quadrupeds
of North America was
completed. In fact,
because of his health,
he took no part in the
production of this
publication. However, he
was credited with about
half of the drawings for
this publication because
his drawings for the
Imperial Folio Edition
were reduced and used in
the octavo Quadrupeds
of North America
publications. The octavo
Birds of America
was issued as a seven
volume set, while the
octavo Quadrupeds of
North America was a
three volume set.
In 1858,the
Audubon sons (mainly
Victor) set out to
produce a reissue of J.J.
Audubon’s original Birds
of America.
It was to be a
D.E.F. folio sized
reissue, but many of the
smaller songbird images
were to be printed 2 to
a sheet. This
publication was to sell
by subscription at a
more affordable price.
The newly developing
process of
chromolithography was
chosen as the means for
production. Julius Bien
of New York, a renowned
chromolithographer of
the time, was selected
to produce the reissue.
For a number of reasons,
including the breakout
of the Civil War in
1860, production was
halted and the project
abandoned. In all, 150
different images on 105
sheets were produced and
issued. The publication
was bound into one D.E.F.
sized volume. It is
estimated that 75-100
sets were sold. While
the Bien Edition of Bird
of America is more
rare than the Havell
Edition, according to
numbers produced, retail
prices for the Havell
Edition prints are much
higher for the same
print.
This article is
meant as a brief
introduction only. Many
of the topics mentioned
in this article are
discussed in detail in
other articles on this
website. Literally
scores of books have
been published on the
life of John James
Audubon, and many other
Audubon reference books
will go into greater
detail about the life of
Audubon and the details
of the various editions
of Birds of America
and Quadrupeds of
North America. They
are available at
libraries and bookstores
throughout the Country.
For further reading,
you can search for John
James Audubon books at
Internet websites such
as Amazon.com and
BarnesandNoble.com.
Also, if you have a
reasonably sized library
in your area, you will
find many books on
Audubon, or you will be
able to order Audubon
books using regional
library lending
programs.
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